For the Love of Peer Editing


The last time most of us likely heard the phrase “peer editing” may have been in high school or introductory college courses. Understandably so — after all, the peer editing process is fairly foreign to most workplaces. When it comes to my work, however, I’ve found nothing to be more helpful than workshopping short stories or novel chapters with fellow writers.

Few audiences are better suited to give feedback on one another’s work than writers who are in roughly the same place with their own projects. Writers are naturally careful and attentive readers. And if there is one thing that a writer looking to finish a project and eventually get published, it is a fellow strong reader.

From a personal standpoint, I have become a significantly better writer and reader since joining a peer editing group of fellow writers in my area. The regular meetings push me to read and write more, better, faster, and with great attention to detail. Perhaps this approach isn’t for everyone, but I know that it has done wonders for me as a working professional.

No writer is a island, I believe I have said, and I know it to be true in so many ways. We learn from one another, are inspired by each other’s works, and can gain experience and know-how from working together to improve our work as a group.

If you’re looking for peer editing and writing groups in your area, try out That’s where I lucked out in finding my group and I hope that you can be nearly as lucky as I was when it comes to finding a group of fellow writers to work with .

The Short Story is a Harsh Mistress

Until about a year ago, almost all of the writing that I had ever done was in long format and mostly for novels. The thing about a long manuscript is, well, that it’s long. It takes time to complete and requires an immense commitment of time and effort for not even a sure promise of pay. It’s tough and it’s scary and, for some reason, I always thought it was the thing for me.

Suddenly, thanks to the writing critique group that I attend once or twice a month, I seem to have become a short fiction writer. It’s been quite a transformation. Short stories were never something I was too interested in reading or writing for myself so when I discovered that I genuinely enjoyed them, I was more than a little shocked.

But the short story is a strict and difficult mistress to serve. She demands a rigid structure and little divergence from the map that she has made. She wants characters, she wants action, and she wants a beginning, a middle, and an end. The more recently that you have come into her service, the wiser you would be to follow her demands to the letter.

There is no diluting the basics of storytelling in such a short form if you want your story to be successful. With so few words, every one is valuable, and none should be wasted on content that does not reveal character or advance the plot. This is true in the novel, too, of course, but I dare say it is boiled down and concentrated in the short story even more so.

Do not open with background stories or history — readers are here for a prize fight and not a university lecture. Establish the setting, introduce the narrator, and make clear the stakes. Follow the beginning-middle-end structure as it is crucial, especially for beginning writers in the short form.

The short story is a great exercise no matter what format you normally write. The satisfaction of completing something can be a reward unto itself, not to mention that putting words on the page is always a good thing. So, do it. Write. Make things happen.